The choir is divided into four voices – soprano, alto, tenor and bass. If you’re not sure which voice you are, come along anyway and our Musical Director will help you to find your correct place in the choir. We currently have over 60 members, so we are able to perform large and exciting choral works, such as Handel's Messiah, Mozart's Requiem and Brahms' Requiem. We rehearse on Tuesday evenings in Settle during term time. For further details see Rehearsals and How to Find Us.

We give three concerts a year, at Christmas, Easter and in the summer. Details of forthcoming concerts can be found on our Season page. We regularly organise Come & Sing events where singers can come and enjoy the wonderful experience of performing musical masterpieces. 

We often perform with other musicians, including professional soloists, organists, brass players and percussionists, and for very special occasions we engage a full orchestra.

The choir was formed in 1983 by Valerie Baulard, a local singing teacher with a background in professional singing in both opera and oratorio, who had a cottage in the village of Langcliffe, hence the name. Originally consisting of ten women and one boy treble, their first performances were at outdoor venues, such as Fountains Abbey, singing madrigals and part-songs a capella. 

In 1984 the group expanded to include men’s voices and the full SATB choir was born. It was a community choir with membership open to anyone with a love of singing who could hold their line of music in four-part choral works. By the late 1980s the repertoire was expanded to include small choral works, madrigals and part songs both secular and religious, and their first foray into staged productions was Trial by Jury. By 1992, having a number of pupils in the choir who were good enough to take the solo parts, Val thought the time was ripe to put on a performance of Mozart’s Magic Flute, a work she had enjoyed as soloist at Glyndebourne.

At Val’s suggestion her husband Howard Rogerson, who had considerable professional orchestral experience, particularly in opera, became the conductor of Settle Orchestra and the collaboration was a great success for both choir and orchestra. This was the start of Howard’s 15 years as conductor of Settle Orchestra, and of many joint concerts with the choir. The choir extended its operatic repertoire with staged performances including The Marriage of Figaro, Don Giovanni, and Orpheus in the Underworld. 

In 1993 Brian Heaton was appointed as accompanist, and as the choir grew in number and ability they performed Handel’s Messiah, requiems by Fauré, Mozart and Brahms, and in collaboration with Settle Orchestra under Howard’s baton, performances of Verdi’s Requiem, Mendelssohn’s Elijah and two opera galas.

It was a proud moment in 2002 for both Val and the choir when she received the Sir Charles Groves Prize from Making Music for her services to music in the community.